BING200

You are holding in your hands the two hundredth issue of BING. Two hundred—that number alone attests to the quality and enduring appeal of Bing’s music, well remembered and still popular (especially when the holidays roll around) almost one hundred years after Crosby made the record that kicked off his illustrious career as an artist, “I’ve Got the Girl,” in 1926. Two hundred—that number also stands for the relentless hard work of several generations of men and women whose undying passion for the music and figure of Bing Crosby led them to want to share it with one another and with the entire world through the ICC, which, in its many different iterations throughout the decades, has become the longest-running fan club in history. As Crosby aficionados, we feel very proud of that and are very thankful for the enthusiasm and support of so many people around the globe.

And so there it is: two hundred issues later, we are still celebrating Bing Crosby the man and the artist, the jazz and pop singer, the actor, the radio and television star, the golfer, the family man, the pioneer in too many fields to count. One feels that the word legend is quite overused these days, labeling too many people to whom the label can hardly be applied in earnest. It is not the case with Bing Crosby, though, who had already become a living legend a mere decade and a half into his highly successful solo career, and who remains a legend of twentieth-century music almost half a century after his passing on that fateful golf course in Madrid back in 1977. The ICC and these two hundred issues of BING are just two of a myriad examples of Crosby’s legendary status, and along with the substantial bibliography that exists on his life and career, the magazine remains an invaluable source and repository of information on all things related to Bing that are worth discussing.

So before passing the baton on to my fellow British Co-Editor, I would like to take a few moments to remember—as Bing himself sang in one of his lesser-known fifties singles—all contributors to BING, past and present. Without their love and curiosity for Crosby’s oeuvre, without their deep knowledge about it, and without their passionate, rigorous work, the ICC would not be possible, and we never would have been able to reach this milestone. In a world where most things have gone digital in keeping with all kinds of swift technological advances, it is very special indeed to be able to hold in your hands every new issue of BING that turns up periodically in your mailbox, and it is very enjoyable to read it quietly without the need for a screen or an internet connection. But have I already mentioned that this is issue 200? Well, it seems hard to believe, but it is, and it’s all thanks to all of you and to so many that have come before us. Here’s to a wonderful summer, wherever you may be, and to (at least) two hundred more issues of BING!



    Anton Garcia-Fernandez  - American Co-Editor

 

    This 56-page glossy magazine continues to be essential reading for the serious Crosby supporter and order your copy of the magazine now by contacting Perry Huntoon (phone: (630) 357-5374).

 

    To see details of earlier issues, click here.


CONTENTS OF BING #200

Editorial 

Secretary / Treasurer’s Report

Love in a Home
ICC Online Meetings
8-Track Crosby

Bing in song lyrics

Bing Crosby Advocates

Mario Lanza Institute

Bing’s Hollywood

The ‘Squarest Guy in Hollywood'

Front Royal Remembers

The KMH Scripts
Note to his Mistress!
Looking Through Rose-Coloured Glasses
Trading Post
Books ‘n’ Bing

A Branch on the Gershwin Tree of Knowledge
What a Swell Party it Was!
Bing Crosby’s Picture Records

Lost in Oblivion - The 1975 Lyrics

Celluloid Crosby

Where Are They Now?

Paramount’s First Road Trip

Bing Crosby’s Classic Radio Broadcasts
One Sweet Letter from You
Ken Crossland’s Crosbyana

A Note from Australia
Far Away Places
Bing on the Box
Once in a While

The Way We Were

Keeping Track